The fashion circus somersaulted its way through 2015, its merry-go-round spinning ever faster and its social media feeds ever more elastic.
The fashion circus somersaulted its way through 2015, its merry-go-round spinning ever faster, its social media feeds ever more elastic, its jaw-dropping acts increasingly … well, jaw-dropping as the year went on. What stood out amid this year’s silk-draped, star-spangled carnival?
1. The trending topic was time. By summer, time was all anyone could talk about: the lack of it, the impossibility of being creative without it. Too many collections, too much travel, too much social media, too much shopping, went the refrain. Woe is us; there is no moment to reflect. Does this sound familiar? Time has been a fashion bugaboo before, but this year the pressure reached a new intensity, cited as the culprit for various designer departures. Still, no one seems to know how to slow down the cycle. Not even Apple.
2. Gucci achieved total front-row domination. When Alessandro Michele took the reins at the house the horse-bit loafer built in January, Gucci was widely regarded as having lost its oomph, creatively and commercially.
Jump ahead one season, and the newly renovated store in Milan was being pillaged by rampaging editors, and seemingly half of the front row was turned out in looks from Michele’s debut collection, from his kangaroo-fur-lined house slipper loafers to his green and burgundy floral suits.
3. Caitlyn Jenner and Taraji P. Henson raised the celebrity style stakes. With Caitlyn Jenner’s Zac Posen bustiers and her Versace gown, her emergence as a fashion figure and her embrace of old-school glamour spurred a new debate about what it means to be “feminine.” At the same time, dominating the small screen and the red carpet was Taraji P. Henson, whose breakthrough character, Cookie Lyon of “Empire,” unabashedly embraced hi-bling (Moschino, Versace and Tom Ford), while the actress portraying her strutted her own brand of understated, streetwise cool.
4. Age did not affect influence. One of the fastest movers of product turned out to be Princess Charlotte. The latest addition to the British royal family proved she was as much a fashion influencer as her mother and older brother, causing a sellout in smocked floral dresses by the Spanish label M & H when her latest pictures appeared, much as Prince George did for Rachel Riley smocked rompers and Petit Bateau overalls. Malia Obama was a close runner-up, proving it’s not just Disney stars who set the tone for the younger set. Can Saint West be far behind?
5. Gender nonconformity went from reality to runway. The divide between menswear and womenswear is seeming ever more pointless, as labels like Vetements, Telfar and Public School mix boys and girls on the runway and in the wardrobe. Fashion reflects society, after all, and we are in a gender-nonconformist age. Why shouldn’t all consumers be able to dress the part? And this is no fad: Pantone’s color of 2016 is a duo – rose quartz and serenity – where pink fades into blue and vice versa.
6. There was an earthquake in French fashion. Alexander Wang and Balenciaga agreed to part ways after three years, Wang to concentrate on his own brand, and Balenciaga to hire Demna Gvasalia, the frontman of the in-your-face upstart collaborative Vetements, known for its gritty Margiela-influenced deconstructed streetwear.